11/12/2022 0 Comments New phantom of the opera movieLove rivals for Christine DuBois (Susanna Foster) Inspector Raoul Daubert (Edgar Barrier) and Anatole Garron (Nelson Eddy) in Phantom of the Opera (Universal 1943) Wolf Man director George Waggner was assigned to produce making a team, although criticised by some, formidable in the eyes of many. Any fears were misplaced Lubin displayed a flair and understanding for the project which is evident in the taut, slick mastery of the various ensemble pieces crafted into the whole of the pageant, the infusion of pathos and a perfect helping of melancholy, beautifully balanced with delightful moments of fun from a maestro who instinctively injects perfect comedic timing. In an act of gratitude for the director who had almost single-handedly saved the studio from bankruptcy with his hugely successful Abbott and Costello comedies, Phantom of the Opera was given, with some trepidation, to Arthur Lubin. She refused to duet, rejected the role and took her director with her, leaving Universal to fall on its laurels. Underplaying the important decision of who should be cast in the title role, they instead concentrated their efforts on securing the services of their bankable new talent Deanna Durbin for the role of Christine DuBois, but even with the promise of her ‘lucky’ director Henry Koster in the driving seat, Ms Durbin was unwilling to play opposite a Phantom – or anyone else, for that matter. But its incubation had been a long one a Phantom of the Opera remake had been mooted in the last, troubled days of the Laemmle regime, and when new Vice President Charles Rogers took the helm of the front office in 1936 he had intended to make it his first project, with Anatole Litvak due to direct.Ĭlaude Rains’ Phantom, Erique Claudin, was a more plausible, kindly character than previous incarnations of the character – Phantom of the Opera (Universal 1943)Įxcitement over the picture was rife, and Universal began earnestly preparing for the new production in November, 1941. Horowitz's bibliography includes twelve books in his Alex Rider series, seven books about The Diamond Brothers, five novels in a series called The Gatekeepers, two Sherlock Holmes novels, and two James Bond novels, among several others.Phantom of the Opera, Universal’s lavish 1943 Technicolor remake of the 1925 Chaney classic, was quite a departure from the studio’s usual classic monsters formula.Ī glittering, sparkling spectacle, even by today’s standards, the film is a full on musical extravaganza, unashamedly showing off its songbird co-stars against lavish sets and stunning camera stunts. I'll gladly check out the Gaumont / Horowitz mini-series when it's ready. I have watched a lot of Phantom of the Opera movies over the years, but I'm not burnt out on the concept. It was the inspiration for a 1925 silent movie, while in 2004, there was a lavish reimagining of Andrew Lloyd Webber’s musical by Joel Schumacher. The Phantom Of The Opera has been adapted for the screen a number of times. Horowitz is going back to the source for this one, making it a "reimagining" of Gaston Leroux's 1910 novel.Ī disfigured composer, who lives in the depths of the Paris Opera House and falls for singer Christine Daae with tragic consequences. As we all know, the Dark Universe plan crumbled, and there hasn't been any talk of Universal doing anything with the Phantom since then… but there is a new Phantom of the Opera projects in the works elsewhere.ĭeadline has revealed that Gaumont, the production company behind the Netflix series Narcos, is working with author Anthony Horowitz on a six-part TV mini-series version of The Phantom of the Opera. Back in the days when Alex Kurtzman and Chris Morgan were developing the "Dark Universe" cinematic universe for Universal, it was mentioned that their plans included a new take on The Phantom of the Opera.
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